© 2023 by LULU. Proudly created with Wix.com

 
Monographs

 

Post-Black Art, Monograph 2020

 
Peer-review Article

»The challenge to conceptualize the multiplicity of multiplicities – Post-Black Art and its intricacies« in Dark Matter Journal Special Issue 2 – Post-racial Imaginaries. December 2012

http://www.darkmatter101.org/site/2012/11/29/the-multiplicity-of-multiplicities-–-post-black-art-and-its-intricacies/

 

»Enter and Exit the New Negro – Von Unsichtbaren Sichtbarkeiten « in Feministischen Studien. Special Issue „The Queerness of Things Not Queer “. Ed. Elahe Haschemi, Dietze u. Michaelis,(2/12) December 2012, 212-227

 

Article in Book

"Index Of An Image From The Moma Education Archive". with Carmen Mörsch, In Mining MoMA Experimental Education, edited by Sara Torres Vega and Wendy Woon, New York, Forthcoming 2019

 

"Composite Stranger" in Todd Gray Monograph, Los Angeles,  Forthcoming  2020

»With confidence and persistence« in Leslie Hewitt Monograph, New York: Osmos. 2018, 20-28

 

»Everyone has to learn Everything: Emotional Labour« in ed. Elisa Liepsch, German Federal Cultural Foundation and Unrast Publishing.  2018, 34-50

 

»The Beautiful Game« Catalogue Text to Hank Willis Thomas Exhibition at Ben Brown Fine Arts London, UK, 2017

 

»On the persistence to exist« in 'Zanele Muholi: Somnyama Ngonyama, Hail the Dark Lioness' Exhibition Catalogue, ed. by Renée Mussai, Autograph ABP 2017

 

»Outside of the Frame« in Amateur: Wendelien van Oldenborgh, ed.Emily Pethick and Wendelien van Oldenborgh with David Morris ; co-published with If I can't dance, I don't want to be part of your revolution, Amsterdam, Sternberg Press; Berlin, 2015. 279-297

 

»A Time without before and after« in Not now! Now! Chronopolitics, Art&Research, ed. Renate Lorenz Sternberg Press, Berlin, 2014. 25-45

 

»Des frontières et limites des technologies visuelles« translated for 36 Short Stories in Mélanie Bouteloup (ed.) Anthologie Bétonsalon – Centre d’Art et de Recherche 10 ans,2014 (Bilingual English/French). 193-205.

 

»Of Borders and Limits of Visual Technologies»in Mobility and Fantasy in Visual Culture. Ed. Lewis Johnson, Routledge Advances in Art and Visual Culture series. London: Routledge. 232-243

 

»The limits of representability« in Bossing Images Ed. by Antke Engel and Jess Dorrance, NGBK Berlin, 2012, 92-99

 

 

Article

"Black Performance – Innenschau //und Aushalten" Kunstforum International, Forthcoming 2019

»Julia Philips-Kopfkino« Flashart, Artist Profile. 2018

»On Being Present Where You Wish to Disappear« in ed. Steven Henry Madoff and Brian Kuan Wood, We Would Prefer Not To. OnCurating. 2018

 

»Alle müssen alles lernen oder: Emotionale Arbeit«, ed. Nanna Lüth in ejournal Art Education Research # 14, s Institute for Art Education, University of Arts Zürich. 2018

 

»On being present where you wish to disappear« in Eflux Journal,#80 March 2017.

http://www.e-flux.com/journal/80/101727/on-being-present-where-you-wish-to-disappear/

 

 »Post-Post-black?« in Nka-Journal for Contemporary African Art, Duke University Press, Nov. 2016. 80-89

 

»So it is better to speak- remembering - we were never meant to survive« in Special Issue on Postcoloniality and Gender in Dutch Journal for Gender Studies, ed. Margriet Fokken, Amsterdam19.1 (Mar 2016): 77-82

 

»Catch me, if you can!« in Decolonising Museums, ed. L’internationale online. September 2015. 54-63

http://www.internationaleonline.org/resources/decolonising_museums

 

Nana Adusei-Poku &Teana Boston-Mammah, »The Brown Bag Lunch« in Beyond Social Magazine-2nd issue on Education, ed. Iris Schutten, Willem de Kooning Academy, Publishing Station, 2015

 

»enraciné dans, mais pas limité par - Les black artistes contemporains et l'évolution des conditions de la représentation« in Histoires afropolitaines de l’art - Multitudes n°53-54, Dec. 2013

 

»iwishiwas- postcolonial or postblack« in The Living Archive: kulturelle Produktionen und Räume, Aicha Diallo (ed.), Heinirich Boell Foundation, Berlin. December 2012 http://www.migration-boell.de/web/integration/47_3551.asp

 

»The End of Detox - Visual Myths and Estranged Dualisms« in Le Journal des Laboratoires, Paris, September-December 2012. 38-43 »La fin de la détox –Mythes visuels et dualismes écartés« 

in Le Journal des Laboratoires, Paris, September-December 2012. 42-43

 

»Theorien der Ungleichwertigkeit« in Aus Politik und Zeitgeschichte. Bundeszentrale für politische Bildung April 2012. 47-52

 

Editor

 

The Flexible Sex. Gender, Happiness and Crisis in the Global Economy Berlin, Oktober 28-30, 2010 Federal

Agency of Civic Education (bpb) with contributions by Rosi Briadotti, Clare Hemmings, Heidi Safia Mirza, Juliet Jaques amongs others, Berlin. August 2012 Download: Reader (PDF-Version: 642)